DIANA BRAITHWAITE &
CHRIS WHITELEY

Scrap Metal Blues

Diana Braithwaite - Vocals
Chris Whiteley - Vocals, electric guitar, National steel guitar, lap steel guitar, harmonica, cornet
John Sheard - Piano
Ron Johnston - Bass
Vince Maccarone - Drums
Neil Braithwaite - Tenor sax
Phil Skladowski - Baritone sax

Special Guests:
Dan Whiteley - Manodolin on "Hawaii Blues"
John Deehan - Tenor sax on "Manitoba Flood"

Produced by Diana Braithwaite, Chris Whiteley and John Sheard
Recorded by Angelo Dodaro at Studio 92, Toronto, Ontario
All songs written by Diana Braithwaite and Chris Whiteley - SOCAN
Cover Design Splinter Group Media, Bruce Greenaway
Front cover shot Jon Blacker
Back cover shot Jordan Newell



Electro-Fi 3434
Audio Sample
337Kb

ONLY AVAILABLE AS A
DIGITAL DOWNLOAD ON
iTUNES OR AMAZON.COM

Rockin' Nubian
West Virginia Bound
Scrap Metal Blues
Hold Me Tight
Hawaii Blues
Boogie Train
Johnny To The Fair Blues

 

Fine Cars and Lots of Money
Big Show
Sit Down on the Back Porch
Wellington County
Blues Suite
Manitoba Flood

TOMORROWS, RIVERS, YESTERFUTURES AND SUITE BLUES.

Wayblackmemories, history and the back and forth motion of cultural well being. The BLUES has a long and honorable tradition dating back to its origins as the essential vector of African American sensibility and identity. Canadian blues artists, Diana Braithwaite and Chris Whiteley honor the blues tradition in their Blues Suite, “Scrap Metal Blues” by bringing us fully into the realm of 21st century blues expressivity.

Opening with the Nubian Queen blues song, “Rockin Nubian” the unique musical ensemble establishes a necessary link to the Nile River as this CD evokes the Mississippi, and other rich blues sites.

Along the musical journey with Braithwaite and Whiteley we learn what it means to experience “Wellington County”, as well as the “Hawaii Blues” and even the memorable “Manitoba Flood.”

A warm and haunting blues that lingers on in your memory is the composition, “Sit Down on the Back Porch”

For those who appreciate the rich Boogie Woogie tradition in Jazz and Blues, you will find “Boogie train” a passage to some next classic blues experience.

Honoring those who made their living working hard in scrap yards, we are now fully appreciative of those who tirelessly do what has to be done in a world not guaranteeing the easiest path.

This is the blues with all of its variety, ethical and escathalogical.

James G. Spadey - Philadelphia Pa.

Back to CDs